CR056 Ave Generosa

Margaret Rizza: Ave Generosa (CR056)

Review by Philip Greenfield, American Record Guide

Listen and buy now on Convivium Records

Margaret Rizza (b. 1929) is a British opera singer turned composer. She also has been a cultural activist who has taken classical musicians into hospitals, prisons, special schools, and inner-city settings, bringing great music to people who haven’t had access to it. Rizza also has become a known figure in contemplative Christian circles, composing the sort of spiritually-charged fare we hear on this program.

‘Ave Generosa’, a Hildegard poem of devotion to Mary set for choir and small orchestra, was commissioned by Harry Christophers and The Sixteen and premiered at London’s Queen Elizabeth Hall in 2008. You don’t have to go to church to hear Margaret Rizza’s music.

Her style owes something to the repeated chant lines of the Taize idiom and to the gentle, radiant harmonies that have become de rigueur in our Rutter-Lauridsen choral era. The words of Hildegard, the psalmists, St John of the Cross, the Celts, Thomas Merton, and Latin liturgy are given musical life by a lovely choir and a small ensemble of strings, organ, oboe, and clarinet. If you choose to listen passively, the music will be pleasant, though you might not need all 58 minutes of it every time. But this is music that benefits from what you’re willing to bring to it. If you accept it as it was meant—as an invitation to prayerful contemplation—the rewards may be greater. There is a story about a rabbi whose disciples couldn’t understand why he was spending so much time praying before Shacharit, the formal morning service. “I pray”, he told them, “that I might be ready to pray”. That’s the spirit I found in this music. And amid the political, economic, and medical chaos that was gripping us as I listened in late December, I embraced it gratefully.

Philip Greenfield, American Record Guide, April 2021

Further information

American Record Guide

American Record Guide

Founded in 1935, American Record Guide is America’s oldest classical music review magazine. In 1992 it absorbed the editorial side of Musical America, so it also covers important concerts, orchestras, and musicians on the American scene.

We cover only classical music. There are up to 500 reviews in every issue, written by a freelance staff of over 80 writers and music critics. Many issues have an “Overview”, an extensive survey of recordings of one composer or one area of the repertoire, such as “Guitar Music”. “Independence” is a guiding principle: in an industry dominated by advertising, ARG remains free of advertiser influence, which results in few ads and no puff pieces for record labels or artists.

Visit website: American Record Guide

Convivium Records

Convivium Records

Convivium Records (est. 2009) is committed to working with exceptional artists and composers to record and share their music. It recognises that a great recording project needs to establish a balance between artistic aspirations and commercial expectations. In addition to commercial releases, the label takes on private projects for schools, charities and other institutions.

Convivium Records involves musicians and composers in all decisions relating to their projects. For instance, this may include initial discussions about a new album, to recording, distribution, promotion and marketing.

At the heart of Convivium Records is a dedicated team, each of whom bring their expertise to projects as required. Above all, the Label’s ambition is to exceed the expectations of their clients by creating recordings that reflect their true potential.

Media Enquiries, Review Copies & Contact
For press enquiries, information, or to request review copies of this work, please visit: www.conviviumrecords.co.uk/contact

Or contact Mike Cooter, Communications Director: mike@conviviumrecords.co.uk | T. 07941 871258

For latest news, follow Convivium Records on:

Facebook: www.facebook.com/ConviviumRecords

Twitter: www.twitter.com/ConviviumUK