Frédéric Chopin: Complete Fantasies – Review by Classical Notes

“Nones’ refreshingly unfussy playing, reveals fresh insights into familiar works”

1st August 2022

Frédéric Chopin: Complete Fantasies – Review by Classical Notes

Listen or buy this album:

Frédéric Chopin: Complete Fantasies – Review by Classical Notes

“Nones’ refreshingly unfussy playing, reveals fresh insights into familiar works”

1st August 2022

Listen or buy this album:

In this short disc, Italian pianist Alberto Nones performs the three works by Frédéric Chopin (1810-1849) with Fantaisie in the title. Nones’ approach here is to somewhat strip away the virtuosic fireworks to reveal the precise detail that sometimes gets lost in more overtly showy performances. This is very evident in the fluid Fantasie-Impromptu, Op. 66. The outer sections certainly flow here, apart from occasional halts in the momentum, and there is no compromise of tempo. The central section, however, could flow more, as there is extensive pulling about of the tempo here. But every detail can be heard, and the final section, whilst not as fiery as some other performances, is certainly impressive. In Fantasie, Op. 49, Nones’ approach is perhaps more successful, with its gentle opening to the drama that unfolds in a somewhat matter of fact way. Nones gives weight where needed, but the chorale like sections have a gentle simplicity. Nones gives the Polonaise-Fantaisie, Op. 61, a more stately, expectant opening, bridging well the transition from the recit-like statements into the flowing dance that finally gets going. There is a lightness here that allows the dancing melody to sing out, and the build to the virtuosic conclusion is not rushed or obscured by excessive weight. So whilst these might not be definitive recordings of these work, there is much to be savoured here in Nones’ refreshingly unfussy playing, revealing fresh insights into familiar works.

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In this short disc, Italian pianist Alberto Nones performs the three works by Frédéric Chopin (1810-1849) with Fantaisie in the title. Nones’ approach here is to somewhat strip away the virtuosic fireworks to reveal the precise detail that sometimes gets lost in more overtly showy performances. This is very evident in the fluid Fantasie-Impromptu, Op. 66. The outer sections certainly flow here, apart from occasional halts in the momentum, and there is no compromise of tempo. The central section, however, could flow more, as there is extensive pulling about of the tempo here. But every detail can be heard, and the final section, whilst not as fiery as some other performances, is certainly impressive. In Fantasie, Op. 49, Nones’ approach is perhaps more successful, with its gentle opening to the drama that unfolds in a somewhat matter of fact way. Nones gives weight where needed, but the chorale like sections have a gentle simplicity. Nones gives the Polonaise-Fantaisie, Op. 61, a more stately, expectant opening, bridging well the transition from the recit-like statements into the flowing dance that finally gets going. There is a lightness here that allows the dancing melody to sing out, and the build to the virtuosic conclusion is not rushed or obscured by excessive weight. So whilst these might not be definitive recordings of these work, there is much to be savoured here in Nones’ refreshingly unfussy playing, revealing fresh insights into familiar works.

Review written by:

Review published in:

Other reviews by this author:

Featured artists:

Featured composers: