Carson Cooman: The Evening Choir


American choral works by Carson Cooman, performed by Convivium Singers, directed by Alexander Norman.


About this release

This disc brings together an exclusive collection of Carson Cooman’s choral writing, performed by the award-winning critically acclaimed Convivium Singers, under the expert direction of Alexander Norman. The album features settings of liturgical texts and psalms, newly commissioned choral works and highlights from Cooman’s extensive choral writing.

Commissioned Programme Note

The Evening Choir (op. 959; 2012) for chorus, soloists, and organ was commissioned by the Memorial Church at Harvard University to celebrate the dedication of the C. B. Fisk organ, Op. 139: the Charles B. Fisk and Peter J. Gomes Memorial Organ. The work is dedicated in memory of Peter J. Gomes (1942–2011), for whose personal support and encouragement I will be forever grateful. The text is an extended poem by Jones Very (1813–1880), a mystical figure associated with the American Transcendentalism movement. A graduate of Harvard University and Harvard Divinity School, Very produced a large body work in a personal style that was much appreciated and praised by his Transcendentalist colleagues. Much like the English poet Christopher Smart, Very suffered from issues of mental health and religious delusions (believing at times he was the Second Coming of Christ), and was institutionalized for a number of years. Upon his release, he was helped in the publication of his work particularly by Ralph Waldo Emerson (who believed strongly in Very’s sanity-”Such a mind cannot be lost,” Emerson wrote). Very spent most of the remainder of his life as a recluse under the care of his sister, and in the last 40 years of his life produced little work and made almost no public appearances due to crippling shyness. Though some of his poems were published in his lifetime, the vast majority were only circulated privately among the Transcendentalists. Though Very’s work was highly regarded by his contemporaries, it was only with the publication of Helen R. Deese’s critical edition of his complete poems (862 of them) in 1993 that his achievements have been more broadly acknowledged and praised by the wider community of scholars and poetry lovers. The poem is set as a cantata-involving choir, four soloists, and prominent use of the organ. Given the dramatic nature of the text, the work is rather more austere and apocalyptic than most of my choral music to date. I sought to create a musical analogue to the blazingly vivid sound of Very’s verse.Read more

About the artists

Alexander Norman

Alexander Norman is Director of Music at Holy Trinity Church, Coventry. He holds a Master of Music degree from Royal Birmingham Conservatoire, where he studied Choral Conducting with Paul Spicer. Before this, Alex was an undergraduate student and organ scholar at Royal Holloway College. He accompanied the Chapel Choir for weekly services and Broadcasts on BBC Radio 2 and 3 (Choral Evensong). Alex also accompanied recording of music by Rihards Dubra on the Hyperion label.

He has played the organ for the choir in many prestigious cathedrals and churches. These include Evensongs at St. Paul’s Cathedral (London), St. George’s Chapel (Windsor), Washington National Cathedral and St. John the Divine Cathedral (New York). In addition, Alex has given organ recitals at Birmingham and Coventry Cathedrals as well as in local churches. He studied the organ with Rupert Gough and Alistair Reid.

During his time as Artistic Director of Convivium Singers, Alex was producer on a number of recordings for Convivium Records. These include albums of choral music by Malcolm Archer and Margaret Rizza. Alex also conducted on a CD of music by the late Renaissance composer Peter Philips.

He directed the ensemble at the Tolosa International Choral Contest and at festivals in Italy, Sardinia and the Czech Republic. He subsequently returned to Tolosa in October 2018 to conduct Convivium Singers at the 50th Anniversary of the Choral Contest.

Alexander Norman founded the Charpentier Ensemble in 2015 to explore vocal music of the Baroque Era. This involves some of the rising stars of the early music scene.

Convivium Singers

Convivium Singers is an award-winning, critically acclaimed choral ensemble. They provide opportunities for young singers at the early stages of performing careers. In addition, talented musicians who have chosen not to pursue careers in music form part of the ensemble. Above all, the ensemble specialises in performing and recording sacred and secular music by living European and American composers. BBC Radio 3’s ‘CD Review’ recently described them as ‘an extraordinarily good choir to listen to’. Read more

CD Booklet
  • The Evening Choir - Carson Cooman
  • Be Ye Wise - Carson Cooman
  • Born Among Us In The Night - Carson Cooman
  • How Lovely Is Thy Dwelling Place - Carson Cooman
  • Easter Day - Carson Cooman
  • I Have Seen The Lord: A Mary Magdalene Sequence - Carson Cooman
  • The Name Above All Names - Carson Cooman
  • When The Perfect Comes - Carson Cooman
  • Veni Sancte Spiritus - Carson Cooman
  • The Kingdom Of Justice, movement I - Carson Cooman
  • The Kingdom Of Justice, movement II - Carson Cooman
  • The Kingdom Of Justice, movement III - Carson Cooman
  • The Kingdom Of Justice, movement IV - Carson Cooman
  • Te Deum - Carson Cooman
Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.


Catalogue number: CR023

Choir Convivium Singers
Saxophone Alistair Wright
Trumpet Alex Smith
Organist Joe Waggott
Conductor Alexander Norman
Composer Carson Cooman

Photography Jacqui Marie Dunster
Engineering Adaq Khan
Mastering Adaq Khan
Producer Andrew King
Creative Director John Bevan
Executive Producer Adrian Green

Recorded 19, 20, 21 July, 2013
Venue St Alban the Martyr, Highgate, Birmingham
Total Duration 64 mins

Further information

Latest news and reviews

You may also like…


Go to Top