KEELEY: CHAMBER MUSIC
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About this release
This CD offers a fascinating selection of Rob Keeley’s chamber works: polished, beautifully crafted music, which conveys a welcome sense of optimism. The performances are exemplary, as might be expected from flautist Rowland Sutherland and the members of the Fidelio Trio.
Trio for flute, cello & piano
Originally written in 2002, this four-movement work, like all the pieces on this disc, was substantially revised for this recording. It has a somewhat light, Gallic character, as perhaps befits the medium: the opening Allegretto is a sonata movement in fast triple time, including an exposition repeat (I have started to appreciate the psychological value to performers as well as to listeners, of literal repeats!) There follows a lyrical and expansive slow movement, a serenade-like waltz, and a fast, mercurial finale.Read more
Sonata for violin and piano
This was originally written in 1998 but has since undergone extensive and protracted re- writing. As one grows, one’s ears change, they hear and expect different things. I like to think that I have learned in the interim to make the notes ‘work harder.’ A broad, somewhat Brahmsian Allegro opens this Sonata: an unashamedly melodic Andante enfolds a more rhetorical central section, the Finale begins as an aqueous lullaby, turning into a scurrying, exuberant Allegro: the lullaby is recalled towards the end as a chorale in the piano, with pizzicato comments in the violin.
This work is a conflation of two separate works from the mid-90’s: ‘dead wood’ has been subsequently excised and contrasts have been integrated to create what I hope is a convincing single work: composers from the past wouldn’t have thought twice about such an undertaking. So, the opening Allegro moderato is an extensive revision of what I wrote in 1994, particularly in textural terms: it is also now more concise, although still expansive (I heard and wrote much of this work against the ‘background’ of the trios of Haydn and Schubert). Secondly comes a movement originally entitled ‘Mind Games’, referring to the complex rhythmic layering and juxtaposition of the opening rhythmic motif. The Finale consists of a slow, intensely elegiac, heterophonic melody which eventually thaws into a more relaxed, diatonic Allegretto, the first time I have made use of large-scale tonal contrasts: the whole movement is dedicated to the memory of a much-admired composer, Nicholas Maw.
(Rob Keeley, 2011)
About the artists
Flautist Rowland Sutherland enjoys an international career in many different fields of music. He regularly performs in new music and classical ensembles, jazz groups, symphony orchestras, various non-Western groups, pop outfits and as a soloist. Many of Rowland’s solo contemporary flute performances have been broadcast on BBC Radio 3, London. He has composed and arranged music for groups, ensembles and for the BBC.
Composition commissions include those written for the percussion quartet “Ensemble Bash” and the contemporary music group “New Music Players”. In 2003 The New Music Players released a special recording of commissions by British composers called Crying Bird, Echoing Star on the London Independent Records label which includes Rowland’s composition Timeless Odyssey.
Rowland was commissioned by the worldly, contemporary classical ensemble “Lontano” for his work Espiritu Libre, which received its first performance at La Linea, the London Festival of Latin Music 2005 at the South Bank Centre. They also performed Rowland’s new version for gospel choir and ensemble of his work The Mystical Land, during the ensembles 30th Anniversary concert series 2006.
Rowland’s piano trio One for Hermeto was given its world premiere by the Fidelio Trio for whom it was written for. The event took place during the BMIC’s The Cutting Edge 2005 series at The Warehouse, in London.
The …virtuosic Fidelio Trio… (Sunday Times) are Darragh Morgan, violin, Adi Tal, cello and Mary Dullea, piano. Shortlisted for the 2016 Royal Philharmonic Society Music Awards, the Fidelio Trio are enthusiastic champions of the piano trio genre, performing the widest possible range of repertoire on concert stages across the world; they are broadcast regularly on BBC Radio 3, RTÉ Lyric FM, WNYC, NPR and featured on Sky Arts documentaries; they have an impressive list of commissions and first performances from the leading and newest composers and have a large discography of highly acclaimed recordings.
Since their debut at London’s Southbank Centre, they have appeared at the Wigmore Hall and Kings Place, at festivals from Brighton and Cheltenham to St. Magnus, and from Gregynog to Huddersfield. They regularly perform across the Irish Sea at the National Concert Hall, Dublin, Kilkenny Festival and Belfast Festival at Queens as well as overseas in Shanghai, Porto, Paris, Venice, Florence, Johannesburg, New York City, Princeton, San Francisco and Boston.
Their extensive discography includes Ravel and Saint-Saëns for Resonus Classics; Philip Glass Head On; Korngold and Schoenberg (Verklärte Nachtarr. Steuermann) for Naxos; the complete Michael Nyman Piano Trios for MN Records; multiple releases on NMC, Delphian Records including portrait CDs for composers such as Luke Bedford and Michael Zev Gordon. Their recent release of French Piano Trios for Resonus was a Gramophone Magazine Critic’s Choice.
Keen to ensure the future development of the piano trio, The Fidelio Trio work closely with composition and performance students at institutions across the UK and all over the world including the Peabody Conservatory, Curtis Institute, NYU, NAFA Singapore, and Stellenbosch Conservatorium South Africa. They have been artists-in-residence at St. Patrick’s College Dublin City University, University of Illinois at Champaign-Urbana, and the State University of New York, SUNY.
The Fidelio Trio are constantly commissionin