Artist, interpreter and researcher as in one, passionately keen on contemporary music, Matteo Cesari (Bologna, 1985) has played as a soloist worldwide, from Europe to China, from Australia to the United States. His musical career path has been enriched from Italy [...]
The Traces Cycle for Solo Flute (CR020) Review by La Folia Listen and buy on Convivium Records Consistent in timbre across it’s range, the flute may be the ideal instrument for complex arrangements of pitch and rhythm. Traces is a [...]
The Traces Cycle for Solo Flute (CR020) Review by The Sunday Times Listen and buy on Convivium Records Debussy’s flute piece, Syrinx, lasts about three minutes, a magical development of a solo melody instrument, but Erber (b.1951) has not gone [...]
Traces for Solo Flute – James Erber (CR020) A review by Arnold Whittall Listen and buy on Convivium Records Seventy-three minutes of solo flute and piccolo music, fifty of them Traces, a three-part composition that James Erber worked on between [...]
Traces for Solo Flute – James Erber (CR020) A review by Simon Cummings Listen and buy on Convivium Records Judging by the majority of CDs that have been sent to me recently, contemporary music is seeing a surge in recordings [...]
The Traces Cycle for Solo Flute by James Erber (CR020) Review by La Folia Listen and buy on Convivium Records My entry into this rewarding series came via a scenario I always enjoy – a highly evolved structure is interrogated, [...]
The Traces Cycle for Solo Flute (CR020) Review by Gramophone Listen and buy on Convivium Records In Gareth Malone’s Gareth Malone’s Guide To Classical Music (William Collins, 2011), Gareth Malone considers New Complexity composition. Composers minded to write complex composition, [...]
