This persuasive disc sets out to showcase some of the many ways in which the psalms have stimulated composers, translators and paraphrasers over many centuries across a wide variety of traditions within Western Christianity. Featuring hymns, chants, anthems, and solo organ music, this is a varied programme in terms of genre, style and theme. The Charter Choir of Homerton College, Cambridge give polished performances throughout, characterised by excellent balance and clear but unfussy diction. Alongside well-known pieces by Sumsion, Palestrina and Purcell are several less familiar works, all of which are engaging in their own ways.

Douglas Coombes’ setting of Psalm 148 is a substantial piece rich in word-painting and lively rhythms, while the sonorous harmonies and adapted text of Bobby McFerrin’s chant-like The 23rd Psalm merits close listening and reflection. Direction Daniel Trocmé-Latter’s own chant setting of Psalm 62 imaginatively captures the lyrical themes of waiting and trust. Organists Shanna Hart and Lorenzo Bennett provide well-judged accompaniments throughout, and also contribute elegant solo performances of Bach and Howells. Parry’s majestic Laudate Dominum brings the disc to an exuberant conclusion.