Clive Osgood: Stabat Mater – Review by RSCM (Church Music Quarterly)

"Rupert Gough ensures that the performance overall is restrained and powerfully moving."

11th June 2025

Clive Osgood: Stabat Mater – Review by RSCM (Church Music Quarterly)

Listen or buy this album:

Clive Osgood: Stabat Mater – Review by RSCM (Church Music Quarterly)

"Rupert Gough ensures that the performance overall is restrained and powerfully moving."

11th June 2025

Clive Osgood: Stabat Mater

Listen or buy this album:

Osgood combines 19 verses of the 13-century Latin hymn into 10 movements of varied length and contrast. There is an overall arch shape, and material from movement 2 is found in movement 9 and from the opening movement in the final one.

The performers are excellent. Jack Liebeck contributes a violin solo to ‘O quam tristis’ (‘O how sad’), which indeed it is in a ravishingly beautiful way.

This is one of the movements featuring Grace Davidson, who is outstanding among the three vocal soloists. The composer himself plays piano, adding to a richly scored, string orchestra texture. Rupert Gough ensures that the performance overall is restrained and powerfully moving.

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Osgood combines 19 verses of the 13-century Latin hymn into 10 movements of varied length and contrast. There is an overall arch shape, and material from movement 2 is found in movement 9 and from the opening movement in the final one.

The performers are excellent. Jack Liebeck contributes a violin solo to ‘O quam tristis’ (‘O how sad’), which indeed it is in a ravishingly beautiful way.

This is one of the movements featuring Grace Davidson, who is outstanding among the three vocal soloists. The composer himself plays piano, adding to a richly scored, string orchestra texture. Rupert Gough ensures that the performance overall is restrained and powerfully moving.

Review written by:

Review published in:

Other reviews by this author:

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