The Phoenix Consort is an award-winning young vocal ensemble, with a repertoire ranging from Renaissance polyphony to contemporary compositions. Its Director, Adam Whitmore, studied Russian and Spanish at Durham, where he directed the University’s Chamber Choir and founded the Consort.

At first glance, I recognised very few composers in Choral Contemplations.

The Introduction by Adrian Green, MD of Convivium, explained: “Most of this music has been written by musicians who would never have considered themselves professional or trained composers. They have been brought together by their love of music, of philosophy, and of the Christian tradition.” Furthermore, they were influenced by Leon MacClaren, whose Music Group within The School of Philosophy and Economic Science which he founded considered what fundamental principles might govern music.

The booklet provides informative composer biographies.

Most pieces here are short (many are under three minutes). Highlights for me were Noel Skinner’s For the Fallen, Rosemary Broadbent’s And he arose (with its dancing interjections), Peter Blumsom’s ballad-like What is man? (featuring Gillian Thompson at the piano), Derek Saunders’ haunting Be still, and Adrian Green’s Every good gift; the latter highlighted some of the fine solo singing to be heard.

Blend and diction are excellent throughout, though 1 sometimes wanted a little more vocal colour, particularly through longer notes or more sustained passages. However, this is an attractive recording of some charming repertoire, and the Phoenix Consort under Adam Whitmore are worthy ambassadors.